When applying for Creative Writing, my biggest doubts about the department were the two mandatory performances: Poetry in the Fall and Playwriting in the Spring. In middle school, I was painfully introverted, and even attempting to answer a question in class was worrisome. When my first show season at SOTA started, I was caught up in the rush of preparation for our performance (Line After Line!) without really understanding what I was getting myself into. Despite this, rehearsal week for the poetry show remains one of my favorites of last year– being full of stress, yes, but also camaraderie, departmental traditions, and ridiculousness. Leading up to the performance, I had this notion that somehow I was going to be the weak link of CW and therefore would let everyone down– or worse, be forgotten about entirely. I think it was not until after the second semester Playwriting show, Nineteen-Play-ty-Four, that I not only was relatively okay with being on stage, but also hungered for more opportunities to do so.
CW had our first official Open Michael a week or so ago, at the International Youth Library on Valencia Street. Though the setting was relatively laid back, I somehow managed to find time and room to stress about it. In the past, I’ve constantly thought and reworked the things I’ll say, do, and how I’ll react to anything at all. If the open mic had been last year, I don’t think I could have brought myself to read. I didn’t even manage to share my work at our classroom Open Michaels during freshman year; something I have more recently come to regret. But the more time I’ve spent in CW, with my cohort of wonderful Sophomores, the more comfortable I’ve become in my skin as a writer.
There’s something about the atmosphere of Creative Writing, cultivated over years and years of shared vulnerability, that allows even the shyest of people to come out of their shells. I was one of those people, and still am sometimes, but that’s not what the performances are for. They don’t change you into someone you are not, even though it may feel like that when you’re smiling under a stagelight at a lot of people you don’t know and can’t see very well. Although performance can be extremely daunting, CW shows and open mics allow people who may not speak up or share their thoughts on other occasions to be seen and heard. They let writers be appreciated for what we do and who we are.










