UMLÄUT RELEASE PARTY
Adults $10
Students $7
826 Valencia St, San Francisco, CA 94110
Don’t forget to bring $10 to pick up the new issue and extra $5’s to purchase any back issues!

at the Ruth Asawa School of the Arts in San Francisco
Welcome! CW develops the art and craft of creative writing through instruction, collaboration, and respect. This blog showcases STUDENT WRITING and how to APPLY to Creative Writing.
UMLÄUT RELEASE PARTY
Adults $10
Students $7
When you think Creative Writing, you think poetry and fiction, but rarely playwriting. Why is that? Well, “fiction” connotes imagination, “poetry” brings to mind eloquence and, well, poetry, which is an esoteric term all in itself. But “playwriting?” That’s like, people talking on stage and chasing each other with guns and trying to make the audience laugh, right?
Wrong.
…Well, mostly wrong. (more…)
Jane Hirshfield is the author of six previous collections of poetry, a now-classic book of essays, Nine Gates: Entering the Mind of Poetry, and three books collecting the work of women poets from the past. Her awards include fellowships from the Guggenheim and Rockefeller foundations, the Academy of American Poets, and the National Endowment for the Arts; three Pushcart Prizes; the California Book Award; The Poetry Center Book Award; and other honors. Her poems appear regularly in The New Yorker, The Atlantic, and Poetry and have been included in six editions of The Best American Poetry. Her collection Given Sugar, Given Salt was a finalist for the National Book Critics Circle Award, and After was named a “Best Book of 2006” by The Washington Post, the San Francisco Chronicle, and the United Kingdom’s Financial Times. She lives in the San Francisco Bay Area.
Come, Thief is a revelatory, indispensable collection of poems from Jane Hirshfield that centers on beauty, time, and the full embrace of an existence that time cannot help but steal from our arms. Hirshfield is unsurpassed in her ability to sink into a moment’s essence and exchange something of herself with its finite music—and then, in seemingly simple, inevitable words, to deliver that exchange to us in poems that vibrate with form and expression perfectly united. Hirshfield’s poems of discovery, acknowledgment of the difficult, and praise turn always toward deepening comprehension. Here we encounter the stealth of feeling’s arrival (“as some strings, untouched, / sound when a near one is speaking. / So it was when love slipped inside us”), an anatomy of solitude (“wrong solitude vinegars the soul, / right solitude oils it”), a reflection on perishability and the sweetness its acceptance invites into our midst (“How suddenly then / the strange happiness took me, / like a man with strong hands and strong mouth”), and a muscular, unblindfolded awareness of our shared political and planetary fate. To read these startlingly true poems is to find our own feelings eloquently ensnared. Whether delving into intimately familiar moments or bringing forward some experience until now outside words, Hirshfield finds for each face of our lives its metamorphosing portrait, its particular, memorable, singing and singular name.
The WordPress.com stats helper monkeys prepared a 2011 annual report for this blog.
Here’s an excerpt:
A San Francisco cable car holds 60 people. This blog was viewed about 3,500 times in 2011. If it were a cable car, it would take about 58 trips to carry that many people.

| Come celebrate the release of the new issue of SotA’s literary journal: umläut, featuring the best interdisciplinary work the school has to offer! For students, by students!Food! Live music! Readings from the 2012 issue of umlaut, Even-Toed Ungulate! Raffle! Join us for a fun night deep below the sea, with performances by local bands Rin Tin Tiger and Comodo Complex!
$5/students $10/adults Don’t forget to bring $10 to pick up the new issue and extra $5’s to purchase any back issues! |


