Cine Club by Rae Dox Kim

San Francisco Art & Film for Teenagers holds a weekly showing of a film at the picturesque SF Art Institute. The hike up the hill to the building is the ultimate test of faith, but makes for a great view. Prior to the film, you can watch the sun setting over the tourist district or look for stray cats under the bushes in the courtyard. There is always sparking water to sip as the lights go down in the theater, and an oatmeal cookie. The movie is paired with an animated short–often Looney Tunes, which aptly sets the stage for the war film or deep inspection of our human experience that follows. You are instructed to spend five minutes, not a moment less, meeting your fellow moviegoers.

The great joy of Cine Club is that I will see movies there that I would not see otherwise, in different languages, set in the past and even the future. Many of the high-budget blockbusters in the American theaters of today are limited to one perspective. The movies shown at Cine Club are more than drawn-out plot progression and attractive CGI action scenes. They demonstrate powers of cinematography, well-written dialogue (or lack thereof… some of the films are more silent than not) and immaculate design. They do not lean on the guarantee of a happily-ever-after conclusion. These are films recognized as classics, critical to an education in media. Sitting in that theater, I have learned more about movies and about life than in any class.

Attending Cine Club is an assignment for Creative Writing, but once I sit down and torture the little tables on the armrests into a horizontal position, I can’t help but feel content. I am surrounded by people who aren’t just there to see a movie, but to find some kind of meaning in art. And later, while churning out a reflection on the movie I have seen, I feel that contentment again.

Rae Dox Kim, class of 2020

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