[DR]: de Young

by Midori (’14)

On Friday, we visited the de Young museum, the cherry to top off the ice cream sundae of Maia’s Craft & Critique unit (this is for you, Jules, and all of your food analogies. Except, of course, Jules doesn’t actually read the blog, so I should actually slander his name, the jerk). We received a cute little fold-up worksheet and had free reign over where to go, the caveat being that we should do this quietly, preferably alone, as to enjoy the full museum experience.

I spent most of my time in the Inuit art exhibit, with all of the walrus tusk-carvings of intricate little creatures. I was particularly caught by the smoothness of it all, obviously pieced together yes, but fitted so proportionally that even the seams seemed natural. It’s awe-inspiring to consider it was all done by hand, the stone, ivory, and bone pieces as small decorations around the house, just for fun.

There was a room in particular that caught my eye, for it was really… weird. The de Young channels the sparse, elegant galleries very well, until one stumbles upon this room, with its brilliant array of glass and colors and stuff, all kind of crammed together, so there’s something strange everywhere you turn.

colors everywhere

colors everywhere

stuff everywhere

stuff everywhere

on the ceiling, too

on the ceiling, too

Well anyways, it was super fun (italics absolutely warranted). I work right across the street at the Academy of Sciences, and I rarely go to the de Young. It’s a completely different museum experience than the hustle and bustle and screaming children of the Academy, and I must say, it’s nice to just settle down and enjoy art.

 

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