CREATIVE WRITING

at the Ruth Asawa School of the Arts in San Francisco

Welcome! CW develops the art and craft of creative writing through instruction, collaboration, and respect. This blog showcases STUDENT WRITING and how to APPLY to Creative Writing.

  • Cdubs are a truly fantastic bunch, in which we are writers and poets in our entirety, not simply by virtue of being in the Creative Writing program. Last Friday, the Poetry OutLoud competition took place in 202, and after an intense hour and a half of reading the poems they learned by heart, Abigail emerged as the winner for the second year running, and Lizzie as the runner up. In another recitation competition on Saturday, our very own Hosanna took home the second place title.

    Hi All:

    Hosanna took second place with her recitation on Saturday morning!

    Congratulations to Hosanna–and to Abigail and Lizzie, who took first and second in the POL competition. I am very proud ofeveryone who participated in POL. I hope that you will all participate next year and that others are inspired to do so as well.

    Heather

    And that’s not all, for we’ve also had a series of publications from students Flavia, Lizzie, and Midori. Congratulations, all!

    Cdubs, I know you must be tired of hearing it by now, but seriously! Send Rebecca and I an email if you get published in anything. In the words of Rita Skeeter, “The public has the right to know!” (Or something like that– I don’t make a point to remember the quotes of a sleazy, fictional reporter.)

  • It’s Max Bialystock’s latest show,Will it flop or will it go?

    The house lights are dimming,

    The foot lights are bright,

    The toast of society’s burning tonight!

    We can’t wait to share our show with you and your friends.

    This weekend’s performances are February 23, 24 and 25 at 7:30 SHARP and February 25 at 2:00 Matinee.

    Tickets at www.sfsota.org.

  • The beautification volunteer group is planning a campus wide cleanup, Monday Feb 20, on Presidents Day, from 9-12 noon, comprising preferably mostly of students with parental leadership, in preparation of the upcoming musical.  If interested, please RSVP to the acting beautification co-char by emailing walter@covad.net

  • For all auditioning students, here’s a video that (hopefully) sheds some light on what to expect on The Day. We are having slight issues with posting the video on Tumblr, but as soon as we figure it out, we’ll link it here.

    CW Auditions

  •  
    Friday 17: Cine/Club: Randall Museum

    Jean Pierre Melville’s THE ARMY OF SHADOWS (1995, France)

    Another film that fills you in on some of the fascinating events of WWII that may not be covered in your social studies class. In this case, the French Resistance: a group of unusual French citizens working to sabotage the Nazis any way they can in occupied France. Unfortunately, the Nazis are slowly reducing their numbers. Who is giving them away to the enemy? Could it be one of their own?

       
    WHY WE CHOSE THIS FILM:

    The Army of Shadows gives you a tremendous context in which to place your knowledge of WWII. Lots of ordinary citizens gave their lives to resist the Nazis, and the group of people in the film come from real life. The film acts like a thriller, but also is filled with carefully etched personalities, and a great suspenseful plot. All the major people in the film lived through these events, so they can nautrually bring them vividly to life. You’ll be on the edge of your seats.

       
    ABOUT THE DIRECTOR:

    Jean Pierre Melville adopted the last name of his favorite writer, Herman Melville (Moby Dick). Much of his life follows the same unsual pattern. During WW II he worked in the French Resistance against the Nazis. Refused in his attempts to work in film, he decided to make his own films with his own money, and eventually owned his own studio. His friendship with Godard (another film maker associated with the French “new wave”) led to his habit of filming on location—but his fondness for America gangster films can be found in all his early films—the weapons,coats, fedoras dot many of his “film noirs” like Le Samurai and Le Circle Rouge. He is not very well known in the U.S.

  • Saturday February 18, 2012
    7:00 pm to 9:00 pm
    Bird & Beckett Books and Records
    653 Cheney St.
    San Francisco
    (415) 586-3733

    Girlchild by Tupelo Hassman
    GIRLCHILD
    Join debut novelist Tupelo Hassman
    for a book launch party, with live music
    “Life is a crazy risk, a foolish venture, a journey hardly worth attempting by poor daughters raised by poor daughters who have no maps or guidebooks (and no teeth, either), who receive no justice
    that doesn’t hurt about the same as the injustice it means to remedy.  This story is your worst white nightmare. Tupelo Hassman’s GIRLCHILD is a triumph and a philosophical treatise on survival.”

    -Reba

  • Sat. Feb. 18, 2012 ~ 12:30 pm
    Sun. Feb. 19, 2012 – 5:00 pm
    Roxie Theater
    3117 16th Street
    San Francisco
    (415)863-1087

    San Francisco Premiere –
    San Francisco Independent Film Festival
    Deaf Jam
    This highly acclaimed doc follows deaf teen,
    Aneta Brodski, an Israeli immigrant, who attends
    a school for the Deaf in Queens and inhabits the
    exuberant world of American Sign Language (ASL)
    poetry. As her artistry evolves within her ASL poetry group,
    she decides to compete in a spoken word poetry slam.
    Filmmaker Judy Lieff chronicles her bold entry into
    Manhattan’s spoken-word slam scene, where she meets
    Tahani, a hearing Palestinian- American slam poet.
    Deaf Jam Trailer

    -Reba

  • Support SOTA and come to our production of The Producers!

    Shows:
    • February 23 at 7:30
    • February 24 at 7:30
    • February 25 at 2 and 7:30
    • March 2 at 7:30
    • March 3 at 7:30

    Buy your tickets now.

  • For everyone who owes Julie $10 for the t-shirt we got during Poetry Cafe, please bring them to either Giorgia or Heather tomorrow!