CREATIVE WRITING

at the Ruth Asawa School of the Arts in San Francisco

Welcome! CW develops the art and craft of creative writing through instruction, collaboration, and respect. This blog showcases STUDENT WRITING and how to APPLY to Creative Writing.


  • the sky smells pink and hard
    when i walk through it in the mornings
    the sulfuric dusts the dawn
    a fruit-bowl
    full rosy belly bent backwards
    that loud gray groan inside the skin
    pierced and peeling like a salty apple
    swollen hot choleric
    elderly clouds left over damp winds
    scraggle across dimly like some
    stale leftover scraps of canvas
    just enough to swab up the strokes
    i can hear the first few fistfuls of light
    faint and wavering like timid bells
    then with a clap, the sun heaves up
    a heavy head
    –Olivia Weaver

  • We grab the black binoculars
    With the thick black strap
    And the book about constellations
    And a beach towel
    We get into the car
    Sit in the leather seats,
    And you drive as I gaze out the window
    At the city lights
    And up at the starless purple sky,
    That reflects the city lights back.
    You drive until the concrete road
    Turns to dusty dirt
    and the city fades into the purple horizon
    You drive to the open countryside
    The grass grows knee high
    The crickets chirp
    The land seems to spread out around us
    For miles, and miles
    And there is one tall oak tree
    We put the beach towel
    On the grass, under the oak tree
    And you slip the thick black strap
    Around my neck
    You point with your figure where I should look
    And you read from the book
    About Orion, Camelopardalis,
    Cancer, Aries, Pegasus, and Pyxis
    But I don’t see the outline of great gods
    Or crabs or horses
    I see little white dots
    I see the lights of cities on distant planets

    -by Josephine Weidner

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  • Pellucid winters show the raw brush,
    Raw proof of an earlier time.
    You wait, you wait. The chalky dust is cold.
    There is no snow to take the edge
    Off the dry log. You sit. The well-water
    Is black, the rope is clasped
    By what flowed through its fibers.
    The water is black. It will not
    Show you your face. It will only show
    Winter, and not even snow to cover how
    Dull is the ice: Reflection is the proof.
    Somewhere beyond the hill where it is quiet
    Is a grey ocean into which snow falls.
    –Abigail Schott-Rosenfield


  • You could’ve left me in the drawer
    weighed down with wooden wolves and carved peace
    signs
    you could’ve let me lay by the bedside
    my strings frayed
    untying myself because I don’t know better
    but you cut off my edges
    tied a slipnot
    and threaded your head through me
    cause you feel naked now
    without a noose round your neck
    without me bumping against your collarbone like a
    hammer on a rusty nail
    You don’t take me off
    except to shower and sleep
    the 2 times when you’re not being a big brother
    when you’re not drawn tight like piano wire
    ready to hop on a bus at a phone call
    with words made of thistledown
    or fists made of wood
    your teeth loaded
    with buckshot or cottonballs
    and you a shot or two or five cause you’ve got me round
    your neck
    cause you want a time where you aren’t worried
    cause you want to be able to get a teary-eyed phone call
    without seeing Katie’s grave in Technicolor
    or hearing Ronnie
    choking on anti-depressants
    and for a few hours
    you can’t answer your phone
    you can’t run out the door and onto the 38
    you can’t even be the life-sized teddy bear they need
    and it’s bliss
    that no-worries tunnel vision
    but then you wake up with a hangover sitting on the
    coffee table
    and you run to the bathroom
    and puke 7 times
    you can still feel me tight on your neck
    keeping time with your ragged heavy-eye breath
    and you check your phone
    for any missed calls


    –Jules Cunningha
    m

  • SLEPT WITH A SNAKE
    A snake under my covers
    ate and didn’t clean—
    crumbs left for me to find
    one bright cold saturday—
    I find her sheddings scattered
    tucked inside the sheets—
    sheets that are quite yellowed
    from hazy grainy dreams—
    she used her tongue to find me
    hissing as she rose—
    and when the sun fell downward
    she snapped me with her jaws—
    I cannot shake the feeling
    of scales swift up my spine—
    and soon the world is melting
    in whirring wintertime—
    the snow is finally coming
    she cannot bask again—
    no beaming sun to warm her
    no bed to hold her in—
    –Molly Bond

  • by Noa (’16)

    I have always enjoyed to dance, but I have never been a good dancer. This combination is absolutely lethal, as demonstrated by my consistent Bs in my PE dance class, taught by the wonderfully intimidating head of the Dance Department, Elvia, and her sidekick (student teacher), Bruce. I know what you’re thinking—a B is not in any way a bad grade. And yes, I may be a bit of an overachiever. But I consider these Bs, taunting me with their nimble, curvy hips (these Bs would be able to dance the Salsa) to be a mark of failure in a class in which one is seemingly graded solely on their natural ability to move their feet in complicated patterns and not trip over themselves in the process. The Dancers, with their twirling, shiny hair and ability to pull off leggings and tiny tank tops, stand at the front of the class and perform every movement with an enviable languid, “god-this-is-so-easy” grace, while I (I can’t speak for anybody else, they all seem to be good at dancing and/or not stress about it as much as I do) make awkward, robot movements in the back row. That isn’t to say that I don’t try. I try really, really hard—I even do all of the sit ups that we always do before class, instead of lying there like a floppy starfish. But for some reason, my consistent efforts always seem to manifest themselves into a “you-will-never-be-good-enough-no-matter-how-hard-you-try-just-give-up-you-failure” B, which will forever haunt me much too deeply.

    Pft, easy
  • by Olivia W. (’16)

    I’m the only freshman in my Spanish 5/6 class. I’m not entirely sure how that worked out, but it’s one of my favorite classes, probably for that reason. A few weeks ago, my teacher told me that I had matured. I asked her what she meant, and she replied that I’d been acting less like a freshman and more like a sophomore.

    I didn’t notice the change. Well, at least not like I noticed the change from 6th grade or 7th grade. It’s hard for us as human beings to notice change within ourselves unless it’s quite drastic, but there are subtle clues from things we leave behind. I can map my growth from my art. I’m talking about my visual art, the little sketches I ink on the corners of school papers and homework. I can tell just from looking at some small creature doodled in the cranny of some paper what era of my life it came from. This most definitely is true with adult artists as well, but not as quickly.

    So much happens in middle school. You are transported to a new world, one you were dimply aware of but not coherently understanding. I learned so much in those three years. I experienced a lot of things for the first time, and because of them I grew. As we get older, there are fewer things for us to newly experience, and we don’t grow as quickly. We may wise up or realize important things, but slowly, gradually. Human beings are always growing, always maturing, but I believe that teenagers and tweens are on a sharp curve of some sort, where everything is going terribly fast. It’s not a roller coaster of ups and downs; it is a roller coaster going the same direction as all life, just a hell of a lot steeper then the rest of the track.

    I am a different person than the person I was last week. Something happened, something changed during that time that changed me. I’m not talking about a big thing, I’m talking about something that’s probably ordinary that’s happening to me for the first time. Maybe somebody said something, maybe something ripped or bloomed. I’ve watched my peers change into completely different people since the year started. Unfortunately, it’s not always for the better.

    I’m so grateful for my art. I use art the way that people now use cave paintings, to see how far we’ve come. Without art, my younger self would be a complete stranger, a different person, an unrelated species. I can look at photographs from a year ago, and suddenly I remember what I was thinking then, what I was feeling as the camera froze that expression forever, and I can see how far I’ve gone form there. I can read old letters to people, postcards, essays, secret diaries or whatever, and I am amazed by what has changed. I can leaf through old sketchbooks, and sometimes I try to draw an updated version of whatever I find. I thank my art for letting me not lose the bets parts of myself.

  • by Justus (’15)

    this is modern art

    There’s a project I’m doing for Modern World, a very open-ended project. The assignment is to “make a piece of modern art.”

    I was originally planning to just write a long poem or something, but I have decided to do something a little out of the ordinary for me and work with visual art. I don’t normally do non-writing art, so this should be an interesting experience for me. I can’t actually draw, but, conveniently, Photoshop can.

    My computer has Photoshop Elements 7, which I learned to use in a technology after-school program I took in middle school. We actually bought the computer used from the after-school program, which is why it has Photoshop. I’m enjoying the vast capability and relative ease of digital art.

    Of course, I couldn’t omit words entirely from the project. I’m actually drawing the semi-abstract image using lines from a poem I wrote last summer (I color the text, then warp and transform it into the desired shape). After I’m done drawing with words and messing around with filters until I get something I like, I’m going to print it on photo paper and mount it on cardboard or something. I would attach the image file, but the piece is still being made and is therefore top-secret. Maybe I’ll attach it to a later post.

    Anyway, that’s an update on the current art I’m doing other than that ten-page play I still need to print three copies of. I’ll let everyone know how my experiments with digital visual art work out as soon as they are over.