CREATIVE WRITING

at the Ruth Asawa School of the Arts in San Francisco

Welcome! CW develops the art and craft of creative writing through instruction, collaboration, and respect. This blog showcases STUDENT WRITING and how to APPLY to Creative Writing.

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    Creative Writing student Abigail Schott-Rosenfield was recently featured in the “SOTA in the City” series on Facebook:

    ABIGAIL SCHOTT-ROSENFIELD (CW 2014) very often does not have a clue– which apparently is exactly how it should be. According to W.H. Auden, the Anglo-American poet regarded by many as one of the greatest writers of the 20th century: “No poet can know what his poem is going to be like until he has written it.”

    Abigail does however, have more than a clue about her obvious calling. She is spending her summer surrounded by people who believe in the power of poetry, working as an intern at California Poets in the Schools, one of the largest writers-in-the-schools programs in the nation.

    California Poets in the Schools has cultivated children’s creativity through poetry for almost 50 years, serving 25,000 students in hundreds of public and private schools, juvenile halls, after-school programs, hospitals, and other community settings. CPITS also partners with the California Arts Council to broadcast the Poetry Out Loud recitation program, an annual national recitation contest, in which Abigail has competed and placed.

    She is also participating in an online summer poetry workshop hosted by The Adroit Journal. Founded in 2010, by high school sophomore, Peter LaBerge, “the journal has been noticed and recognized around the world for its dedication to community service and emerging writers, but the largest impact of the journal … has been its devotion to the promotion of human rights causes.”

    All of which should find Abigail in fine form come August, when she steps deftly into her role as editor-in-chief of ümlaut, the literary journal edited entirely by Creative Writing students, which features student art and writing from across all of the different arts disciplines at SOTA.

    Poetry in motion, indeed.

  • I learned about this event from FunCheapSF:

    The Lit Slam: Page Meets Stage Poetry | SF

    Every third Monday of the month

    The Lit Slam: Page Meets Stage Poetry | SF

    The Lit Slam is a monthly, live performance-based poetry anthology that tries to find find the best art at the intersection of page and stage, mixing local and national touring poets.

    Every third Monday, editors are chosen at random from the audience before each show, and those editors decide which poets and poems will appear in Tandem, the annual publication created over the course of the season.

    The Lit Slam
    Every third Monday. Doors at 8pm, show at 8:30pm.
    Viracocha, 998 Valencia St, SF
    $5 when you mention FuncheapSF at the door. Otherwise, $10.

     

    Sounds a little wacky, but it could be fun.  The venue (Virococha) looks interesting as well if you are into things like old typewriters and such.  If anyone has been to one of these lit slams, please let us know what they are like.

  • A literary party not to be missed!

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  • Which came first, the summer or the lethargy?

    The easy connection to make is, school’s out, it’s vacation time, hence the desperate urge to do absolutely nothing. But it can also stand to reason that the urge to do nothing during the summer is some sort of universal truth of humanity, so instead of trudging through a forced-work ethic, we just give everyone three months off.

    This is all rhetorical reasoning. I just wanted to think about the summer.

    Or not. The do nothing-urge is quite all-encompassing.

    …Ten minutes have passed since I typed the last sentence. I’ve gotten myself a glass of orange juice, and am congratulating myself on making the effort.

    The way I see it, we (in general) function on a trial-and-error basis. As in, the way we figure out what we want to do when we grow up is through first figuring out what we absolutelyewgrossgetthatawayfromme not want to do. Maybe that’s what mandatory K-12 education is for (or has morphed into, for bizarre, tragic reasons). Throughout the school year, there’s a constant undercurrent of dissatisfaction, perhaps on account that we’re not strictly there by choice, and because school is all about workworkwork (if you’re lucky, not of the tedious sort), the natural rebellion is to not workworkwork. Of course, it takes some rumination to understand that not all work is the same (some work are just more equal than others) and further contemplation and self-reflection etc.etc. to figure out what work one is okay with doing. Just okay, as in, my tolerance level for this is decent enough. Then we take that as a starting point, move forward to find work that perhaps we actually– god forbid– like doing.

    Or, you make like me and find ways to appreciate all of the workworkwork, convince yourself all work are created equal and smile ’em all to death. All in a day’s work in Stockholm.

    So maybe summer serves a function. Just throwing it out there: it’s either a rehab, or a re-envisioning.

    Rehab in the sense that you finally get to breathe without a bunch of grunt work on your shoulders, you quit every facet of school you can, and you come back in the fall with hastily-done work and regret/irritation that you didn’t space out your workload over all your free time (I speak with too much experience); it rehabilitates you for another year at school, where your teacher builds and schedules your learning for you, and by the end of the school year, you do feel accomplished, but in that awkward way when someone compliments you on store-bought pie-filling, rather than a cake which you made from scratch.

    Re-envisioning in the sense that you have ruminated and contemplated and reflected, have combed through your school year’s learning with grains of salt relative to your care for them, how they matter to you. In the summer, you have the barest infrastructure to keep you conscious of school as an entity (summer reading, writing), and at this point you know how you best fit in (or out) of the school’s system. Once you are comfortable with that, you start doing work on your own, and moving forward on your own, and school becomes the extra jacket you keep slung over your arm that you don’t mind carrying around, per se, but would most definitely put down, put on, put into some kind of use at any given chance.

    I’d like to be re-envisioning, especially seeing as it seems terribly convenient for the process of writing a senior thesis. I was so excited about writing the thesis for the past year, O woe be naive me. Nah, I’m still excited, just excited in that jump-up-and-down-and-cry-and-puke way. It’s only June, and the panic’s already settling in. Relatively unwarranted panic, but when has that ever stopped anything?

    I’d like for my summer to be re-envisioning, but for now, I might be better off working the rehab. Just a month– I think I deserved it (Junior Year was exhausting in the best way, which is the worst way, ’cause you like that feeling of accomplished exhaustion). In July, I’ll get back on my feet, hopefully rejuvenated in a September way, and move forth with awesome work ethic.

    For now, I think I’ll settle for another glass of orange juice.

  • Inspired by the tireless effort of Jules Cunningham in convincing freshman that math class is really not a big deal, and itching to create something new for the website, the CW Blog Team presents to you “You Don’t Have To Go To Math Class: A CW Short.” It will be the effort of the team to produce more CW Shorts in the coming years! Check back for more, and have a swell summer.

  • by Avi (’15)

    As the school dwindles to the last weeks, I can sense a feeling of despair in the eyes of my classmates. It’s funny how when the end is so close, it seems so far away. With this despair can come the lack of enthusiasm, or the feeling that “class doesn’t matter anymore, I only have two more actual weeks anyways.” This is not true. These last few weeks are what can bring that B to either an A, or a C.  These weeks are the time to put in the most effort.

    Right now, I am right alongside my classmates. In some subjects, I straight up don’t care anymore. I tell myself, “When am I going to need to know what kind of bonding occurs between hydrogen and fluorine?  Probably never.” I tell myself, “Why do I care about (excuse my language, but it’s the correct term) bullshitting my way to a higher grade with more WebQuests and cookies.”  These mantras  do not help my enthusiasm for school.

    What I need to tell myself is that I should try hard because I want to finish strong. In the words of Molly Bond, “[You should]… do… well…[in school because] Flannery O’Connor… [and grades].”  Besides Flannery O’Connor wanting me to do well, I’ll admit I’m doing most of my work now just to get good grades. This is a bad work ethic. It turns noble assignments into busy work.

    Grades are no longer a result of doing good work, but the only incentive that keeps me from not doing it at all. I tell myself to look ahead into the foggy summer that San Francisco has to offer. However, this is hard to do but in the words of Kacey Musgraves, “If you’re gonna find a silver linin’/ It’s gotta be a cloudy day.”

    My silver lining for the rest of school is Creative Writing. Creative Writing is what keeps me from completely giving up on school. So, you might see me with dull eyes, drooling over papers in all my other classes, but for the rest of the year in Creative Writing I’m going to try my best at showing enthusiasm. Besides, we are one very lucky group of kids to get to spend time with high quality artists-in-residence, and eating great food (Maia, I loved your tempeh!)

    So, the moral of this post is, in the words of Andy Grammer, “[to] keep your head up, oh, and you can let your hair down, eh..”  Let’s finish this school year strong!  The finish line is just over the mountain!

  • by Noa (’16)

    Like all things, both good and bad, The Office– NBC’s hit mockumentary about office workers at the paper company, Dunder Mifflin, in Scranton, Pensylvania– is coming to an end. I, like many other TV watchers, am sad to see it go. Had you asked me a week ago if I would miss The Office, my answer would probably have been “Eh. Not really.” However, I have recently had a change of heart. After being stuck in bed all weekend with a fever and general fatigue, I resorted to re-watching all of the old Office episodes, because, frankly, I’ve probably seen about everything else on Netflix instant-streaming. At first, I was a bit hesitant. My first experience watching The Office was one of mild entertainment, but mostly indifference. But this second time around was eye-opening. I came to the realization that, although it seems to be simply about a paper company, The Office is so much more than that. It’s about the meaning of friendship, and teamwork, and the modern work industry, and how life in a small town in a small business is anything but small, and a hilarious beet farmer/black belt/ Assistant to the Regional Manager named Dwite. It’s about Phillis, and Bob Vance of Vance Refrigeration, and Stanley, and Meredith, and Angela, and Kelly, and Ryan, and Andy, and Michael, and Creed, and the adorable couple, Jim (https://www.youtube.com/watch?v=5EnsjrDsVyI) and Pam, and so much more. Like all TV shows, The Office has had its ups and downs (season 8— really?), but I was once again reminded of its undeniable charm and wit and Pim’s (Jam’s?) adorable coupley-ness. I can now honestly say that I will miss The Office when it leaves the air, but Dunder Mifflin, thanks to Netflix, will forever remain in my heart.

  • Coming Home

    by Sabrina Brady

  • by Abigail (’14)

    On Friday the third, Umläut had a successful (and profitable) release party for the 2014 issue, dubbed Plastic Knives! We pity everyone who wasn’t there, and we’re sure those who came didn’t regret spending the night before Prom with us.

    While the prime attraction was, obviously, this year’s Umläut— as professional and polished as ever, but with a new matte cover this time— there was also great music by Rin Tin Tiger and Mayya Feygina, food donated by Arizmendi and CW parents, and a raffle. It was probably one of the balmiest days we’ll see this year, but most people managed to stay inside long enough to listen to several of the published authors read their work.

    We couldn’t have done it without 826 Valencia’s generosity in offering us the space for the night, free! Thanks to the parents who contributed to covering what 826 usually charges.

    If you missed the party, we trust you won’t make the same mistake again next year, but you can get your new Umläut at SOTA at lunch (we’re selling outside of the CW room) or by emailing abeschott@gmail.com. Soon it should be available to purchase online at http://sotashop.myshopify.com/products/umlautliterary-journal.

    umläut

  • by Molly (’15)

    I have a crush on Flannery O’Connor.

    No, not that kind of crush. A literary crush. We all have one, right? That one particular author who makes us so excited we could kiss the book, or whose sentence structure makes us melt a little inside? Even though literary crushes are common, people seem to think my “thing” for Flannery takes it to the next level. Maybe it’s because I squeal whenever her name is said, or because my eyes go wide when the words “Southern” and “fiction” are used in the same sentence, or because I want to raise peacocks on a dairy farm in Georgia instead of going to college like I’m supposed to.

    I don’t know what these feelings are, but they are very strong. This happens to me a lot, but I have never had such intense feelings for a person whom I’ve never even met, whom I have only grown to know through biographies and letters and stories, a person whom I know I’ll never meet due to my cruel placement in the twenty-first century.

    The weirdest part is that I can’t even explain to myself why I like her so much. You’d think it would be her fiction, and I’m not denying that her fiction is spectacular (that is such an understatement), but there must be some greater pull. All I can do is guess, but I think my love for Flannery O’Connor stems from the fact that she has opened my mind so much that it hurts. She has introduced me to religion and its importance, removing me from the annoying close-minded atheist position I held previously. This isn’t to say I’m suddenly a militant Catholic, but I’m less sure of the world than I was before, which I find to be a positive change. What she’s done is forced me to think. Flannery, although so removed in time and space, has had a huge impact on my life.

    Plus she’s really pretty.