Author: SOTA Creative Writing
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I write a lot about my dreams. Or at least I try to. How can you describe the surreal beauty of dreams? It’s near impossible. I used to keep a dream journal. All the sentences are incoherent, all the syntax just doesn’t flow right. But I can see and feel the dreams perfectly in my…
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Over the past few days, I’ve been pondering what it means to be a good American. Before I can unpack that thought, I have to backtrack and ask myself, what does it mean to be a good human? To answer my original question, to be a good human, one must be compassionate, care about important…
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On October 21st, Creative Writing had its first show of the year, Stage Fright. It was the first show I had ever performed in at SOTA, and the title fit perfectly with the nervous wreck in my mind. I wasn’t sure what to expect; I had never performed my writing in front of a large…
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Being a fan of spoken word and performance art, I was practically jumping in my seat when I learned that Creative Writing would be having an artist-in-resident from Youth Speaks. I know that I’m very vocal about my thoughts and being loud is in my genetic coding, so to learn that we were going to…
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Having been a part of the SOTA Creative Writing department for two years now, I can gladly say that Kirby Cove is something that never fails to generate excitement in me. No matter how many times I will reexhibit the cycle of sleep deprivation, matted hair, and sand in my ears, I still found myself…
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Towards the end of last year, I received the opportunity to be an assistant/student in playwright Andrew Saito’s masterclasses at the Cutting Ball Theatre. The subject was dream theatre. In-between my urgent managements of water pitchers and printers (another education of a very different type), I wrote my short play, possessed by the lively and…
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Everybody’s favorite literary journal is now online at theumlaut.org
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Every Sunday morning, I drag myself out of bed at the ungodly hour of nine thirty and get ready for the seven and a half hour time commitment otherwise known as “Film Workshop,” taught by Ronald Chase and mentored by SotA artists-in-residence Jesse Filipko and Isaiah Dufort (the Great). The workload and demand for quality…
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This week we started or Playwriting unit with writer-in-residence Eugenie Chan. Having never really written a legitimate play before, I was a little daunted at first, especially when Eugenie handed of 500-page readers to each of us. I was already clogged with academics and wasn’t looking forward to daily Creative Writing homework. Eugenie’s approach to…
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A question that often comes up is, “Why do you write?” In my department, we have used this as a generative exercise; and outside of the department, the question recurs in conversation. It takes a moderate amount of determination to pursue writing. It sometimes seems masochistic to revise time and time again, or to submit…
