Author: SOTA Creative Writing

  • Waiting for People to Make Mistakes by Anya Patel

    I don’t remember the practical things, like what my locker combo was and is, but I remember to follow the pawprints on the way down the outdoor stairs. I have to make the block schedule my wallpaper even though it hasn’t changed in years, but I remember which teachers have fun colors of thumbtacks, and…

  • Staying Consistent in Art by Amelia Reed

    Creative Writing is, in its truest form, a consistent art; one cannot write a poem, take a break for a couple of months, and then come back with the same groove and gusto. Unfortunately, that was nearly exactly what had occurred in my case; after spring break, which began exactly when the lockdown did, I…

  • Hunting is the wrong word. It is only fitting that this blog post about writer’s block should begin with a contradiction. But hunting is the wrong word. Too brutish, too primitive. As if I’m leaving the house wearing nothing but fox pelts, a notebook in one hand, and a club in the other. I’m leaving…

  • Discovering Plays by Isabella Hansen

    Before coming to Creative Writing, my exposure to plays were very limited. I saw “A Christmas Carol” when I was 9 and acted in a “Tale of Two Cities” at 13. I used to have a specific idea of what a play should be in my head: a perfect plot, easy to decipher characters and…

  • What I Love About My Class by Parker Burrows

    A few weeks ago I met with the other juniors in Creative Writing for a Community Meetup. Having the exciting opportunity to spend time with them reminded me of all the great things that I appreciate about each of my friends in the junior class. Here is a short summary of each of them! Zai…

  • An English Class Poem by Emilie Mayer

    Three weeks into my English class’s poetry unit I had managed to produce nothing that I could be proud of —although that could in part be due to my pandemic-induced creative rut. All of my poems were shine with no depth. They contained long, elegant lines, but I for one could not tell you what…

  • Quarantine: Take 2 by Tiarri Washington

    There was a time in the pandemic, months ago, when the only way out was a comfortable ignorance of ever escaping its grasp. Conversations flew at rapid speed, morbidly predicting next week’s body count. We were confined to each our own, white walls, linen curtains, and mind exerting screens. We forced ourselves to be content…

  • What is Personal Space Anymore? by Sequoia Hack

    In writing, I often find myself probed to investigate my deepest insecurities, expose any secrets I keep silent, and dive deep into my inner psyche. I’m told that these topics—the ones that make me digress from self-discovery to self-loathing—are the topics most enthralling to readers. In the era of the pandemic too, when I’ve spent…

  • I Am Not Afraid of Death but I Am Afraid of Playwriting by Paloma Fernandez

    I absolutely despised playwriting my freshman year. I thought all plays had to be serious to be “good” and respected. Unfortunately, last year our playwriting unit got cut short due to the pandemic, and during that unit as odd as it was with distance learning, I realized I enjoyed playwriting, maybe I was even good…

  • Stretching My Fingers Between Revelations: Poetry With Tongo Eisen-Martin by Jessica Schott-Rosenfield

    We had only three class periods with Tongo Eisen-Martin, current poet laureate of San Francisco, yet his effect on my zest for craft was immense. He imparted countless quotable pieces of knowledge. My hand could not write them down fast enough, and more than once I had to stretch my fingers between revelations. What were…