Thank You, Lara by by Emily Kozhina

During my past two years in the Creative Writing department, I considered myself a fiction writer, and if not that, then a novice playwright, but I never once thought of myself as a poet. I went through two poetry units with a passionate disdain for stanzas, similes, and simply anything most would associate with “poetry.” That being said, the thought of moving into Creative Writing 2 (the poetry and non/fiction unit for upperclassmen) terrified me. Not only would I have to read and write poetry, but it would be in an older group setting, with more experienced students that probably have grown to love poetry. I couldn’t imagine why.

Our poetry artist in residence for Creative Writing 2 was Lara Coley, a San Francisco poet with a niche for knives. As nice enough as she seemed the first day, I wasn’t convinced that she, of all people, could change my opinion on poetry. The unit began exactly how I imagined, reading poetry to discuss in class, writing in-class prompts, and talking about writing poetry. Maybe if I just don’t work too hard, these few weeks will fly by, I thought. So I planned to simply wait it out, reading and writing the poetry I was assigned to, and pray I would survive.

But Lara caught me on a baited hook. By the third (maybe even the second) day, I found myself excited to come to class. I wanted to write poetry. This was a shock in itself. How could two years of despising poetry suddenly disappear? I still can’t answer the question, not fully. Part of it must have been Lara herself, her daily positivity and willingness to open up to us, laugh at our jokes, see us as more than teenagers in some artsy high school. We were writers to her, poets, even.

Another part surely had to do with the prompts Lara assigned. From using lines from a self-help book to answering questions that our writing supposedly answered, they were all prompts I wanted to write to. It felt like my poems were suddenly more than just stanzas and stanzas of wondering about the vague and impersonal. Each poem I wrote in that unit meant something to me, held a piece of my truth I wanted to share, which is everything I thought writing should be. I realized poetry didn’t need rhymes, and it didn’t need to be deep. With this seemingly minuscule discovery, my entire perspective on poetry shifted.

I now like to consider myself a poet. I find myself writing more poetry than fiction, without any anxieties over if what I’m writing is “poetic enough.” I like to read poetry, and learning about different poets, both local and dead. I’ve learned the beauty in “ugly poetry” and that’s all I ever want to write. Of course, my love for fiction and playwriting hasn’t disappeared, I know now there’s no need to replace one form of writing for another. I simply learned to love poetry, and it’s all because of Lara.

Thank you, Lara. Thank you for being kind and patient with us, for believing in us and our writing. Thank you for showing me all the possibilities of poetry, and how I can obtain them. You’ve taught me so much during our unit, and I’m sure everyone would say the same. As much as I try, though, I don’t think I could ever thank you enough.

Emily Kozhina, Class of 2020

Chapbooks by Puck Hartsough

Last unit, Creative Writing was working on poetry, CW 2 with artist-in-residence Lara Coley and CW 1 with both Heather and in mini units led by the sophomores. At the end of the unit, both classes made variations of chapbooks, short paper booklets of the poetry we’ve written this year. Creative Writing 1 made accordion fold books, with a poem in each fold, and Creative Writing 2 bound little books by sewing two large stitches in the middle of a folded packet. CW 2 spent several days on our chapbooks, working together at times and asking each other for help or to pass certain tools and the like over the table. We each made at least three copies of our chapbooks, and some people chose to make each cover different, with different stamps or designs, while others decided to make the covers as similar as possible.

When we had finished our chapbooks, we spent a day making each other bookmarks. We each made eleven, one for each student other than ourselves, as well as one for Lara. We wrote about things we’re grateful for about the others, about how their writing inspires and impresses us, and how we’re so glad to have met each other.

The last day of the unit, we read our poetry out loud to each other. Just before each person stood up to read, another student would read the bio written at the end of their chapbook.

The bios ranged from goofy (discussing how one student would love to be on the beach right now) to impressive (a list of literary journals and websites where a student has been published), but every one matched the author they described perfectly, and every one made each of us so proud of how far we’ve come.

This unit was productive and enjoyable, and I’m glad we were able to work with Lara and each other to make it so.

Puck Hartsough, class of 2019